


Sorry for the
technical problems... but here are some of Sally Mann's
Immediate Family photographs. They
SCaNdaLiZed a lot of people who said they were
pornographic and showed violent and morbid obsessions. But when I looked at them, even if I found them a bit distabilizing, I figured out that it was because the children in these pictures where
intimidating, like if they had more power than us and were keeping some secret about life that we have forgotten.
The first one is named
The Horrible Photo(1989), the second one
Jessie at 5(1987), and the last one
Jessie at 6(1988). It is the last one that inspired me the ideas in my essay and here are also some parts of it:
About naked children: "The relationship between adults and children is often tricky. In fact, it is most of the time a problem of perspectives. Precisely, when photographs of naked children are taken they are only pornographic from the perspective of some adults. The children, when they pose for the photographer, are not thinking about provoking desire or to expose their intimacy. Because they are only little bodies still growing, they do not have to fear the look of people or to try to be desirable. The fact that they neither have to stimulate desire nor to escape it brings them power and confidence. The bodies of children, boys or girls, are all not developed and so, they can confront the world without thinking about women and men identity’s issues. For this, photographs of them are not nude pictures, but naked ones."
About children's ephemeral character: "Children seem magical because they are only in a temporal state that changes everyday. This is why everything they do seems amazing to adults’ eyes and why it is always worth a photograph. All this powers and advantages children have over adults give intensity to the children behaviour and so, to their images on photographs since they are things we cannot hold, they are things that gradually go away. Photographs of children are precious memories full of mysteries about children personalities. They bring us more and more questions about our own adult personality and behaviour, comparing us to these amazing creatures that are so more imposing than we actually are. So, family albums are also tools parents are giving to their children as future adults who will lose their magical powers."
About freedom: "Children are the magician of our world, they have the wisdom to let us think we are the more powerful when they are actually the ones who have the more enjoyable powers. If we really look at them, we can see that there is nothing really violent or pervert in these photographs, but only the powerful energy of childhood’s freedom: the freedom of discovery, of playing with their body and to express themselves as they are without caring about identical issues. Finally, we know that all this is ephemeral… or maybe we think. In fact, a lot of adults say they are “eternal children”, and maybe this will be a better way to be…"